https://www.jennikauppi.com/about daily 0.75 2025-06-11 https://www.jennikauppi.com/contact daily 0.75 2017-01-19 https://www.jennikauppi.com/books daily 0.75 2025-06-11 https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484825545422-LD3S9SS6CZFWXD56SZ7X/image-asset.jpeg book reviews Stoner by John Williams | Open Journal "The novel’s beauty is its candid drawing of this strange, yet achingly relatable character. It is not the plot, but Williams’ handling of this unusually sensitive quality that is so heart-rending. So closely are we aligned with his perspective, that as readers we feel both viscerally conscious of his flaws, and deeply invested in his happiness. The result is a profound feeling of pathos for Stoner, and it is with this intimacy that Williams is able to conjure so lucid an evocation of this mid-century American everyman." Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484869479565-RLGGF1V1AFKEF1PBCHJK/image-asset.jpeg book reviews The Dig by Cynan Jones | Open Journal "Cynan Jones’ most recent offering is a bleak and diamond-hard look at man’s relationship with nature (read, literally, as in: the masculine). Breaking with perceptions of farming life as a gentle bucolic idyll, Jones mines it for its most jagged edges, revealing a gothic, and mostly nocturnal perspective on the Welsh countryside where violence and nature are intertwined." Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484902231975-B6F5QAKNIQE8J4QE80O1/young+desire+it.jpg book reviews The Young Desire it by Kenneth Mackenzie | Open Journal In many senses, it is a classic coming of age novel, but Mackenzie draws so heavily on the natural world, delivering such clear and succinct images of the West Australian bush – its oppressive summers and natural beauty – that it also works as a “passionately lyrical” piece of nature writing, as Malouf puts it. Emotions are conveyed through the invocation of the natural world, so that the very organics of the universe seems to collude with Charles’ emotional state. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484821612185-OH39PVEPVKU876EO5B47/you+dont+have+to.jpg book reviews You Don't Have to Live Like This by Benjamin Markowits | ArtsHub Though it’s fiction, [this book] comes at a time in real-life history when the fading lustre of the American dream – and indeed, the American empire – is felt with particular acuteness. The book is populated with characters typifying a generation of people whose heretofore-unmatched sense of entitlement is met with a profound and nagging sense of impending existential anti-climax. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1495433003209-8FGPQDK2T7Q1281ZZSQ5/image-asset.jpeg book reviews Stop Fixing Women: Why Building a Fairer Workplace is Everybody's Business by Catherine Fox | Books+Publishing Magazine Catherine Fox's new book explores the longstanding issue of gender imbalance in the workplace, interrogating ingrained myths and assumptions about why this problem persists. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484825092629-A0M2TVARGJN2XIQ8YF6O/consolations+of+the+forest.jpg book reviews Consolations of the Forest by Sylvain Tesson | Open Journal In connecting place, and experience with wider concepts of the human condition, Tesson picks up where the great 19th century travel writers left off, offering an illuminating portrait of Russia, and more generally, the condition of modern life. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484824457724-CIX2FTQP44ONNXQ5EG4E/Your-Fathers-Dave-Eggers-1.jpg book reviews Your Fathers, Where are They? And the Prophets, do They Live Forever? | ArtsHub Dave Eggers’ latest work is both a social polemic and tightly paced hostage drama – a page-turner, even – taking in the length and breadth of the modern American condition. It’s also, in classic Eggers style, a formally radical work, building complexly drawn characters from dialogue alone. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484819409280-M77TPWXQMQI1IDJBROC4/high+places+book+cover.jpg book reviews The High Places by Fiona McFarlane | Books+Publishing Magazine After receiving international accolades for her Miles Franklin-shortlisted debut novel The Night Guest, Fiona McFarlane follows up with a short story collection, The High Places, laden with wry wit and a deceptive simplicity. The collection ranges boldly and plausibly between place, perspective and voice, to describe a human-ness that manages to be both hysterically funny and quietly devastating at the same time. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484822619009-SNM09ER3K12048OUSRCH/image-asset.jpeg book reviews The Sleepers Almanac X edited by Zoe Dattner and Louise Swinn | Australian Book Review Editors Louise Swinn and Zoe Dattner are fearless and shrewd arbiters of the dense, fibrous space inhabited by the short story. And if short fiction takes its inspiration from the minutiae of human experience, logging, exploring and redeeming these banalities into a textured relief map of the universal, then the Sleepers Almanac X, the final instalment of the anthology, offers a bold example of what the form can do. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484869855502-HSR1NLF6TEZIF1JXNN6Y/image-asset.jpeg book reviews Strange Weather in Tokyo by Hiromi Kawakami | Open Journal In many ways, Strange Weather is a love story for modern Japan – the ubiquitous young office-worker drinking alone and opting out of the marriage-and-family convention. But in a culture where social lives and loves increasingly take place by proxy in cyber space, Kawakami’s candid alternative paints a picture filled with humour, hope and a surprising type of romance. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484823660803-MOPA7T30OOACQYC7MJGQ/image-asset.jpeg book reviews A Girl is a Half Formed Thing by Eimear McBride | Open Journal The carefully chaotic stream of consciousness has been likened to James Joyce for its expansiveness, and to Samuel Beckett for its resistance to the linear. Much like poetry, it’s a deeply moving and emotive mode of storytelling, drawing the reader in to its strange atmosphere; fluid and dreamlike, but often gruelling and nightmarish. The effect mirrors the rattling, ricocheting, tumbling motion of thoughts as they form and arise, especially in moments of turmoil; it is like having direct access to the very raw material of the girl’s thoughts. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484821988110-T2VRXYWWD00FP1X9PAZ1/image-asset.jpeg book reviews Stone Mattress: Nine Tales by Margaret Atwood | ArtsHub Atwood is at her best when exploring toxic relationships, like conniving women who destroy men, and selfish men who take advantage of women. But her observations seem to cut closest to the bone when focused on relationships between women and she's scarily attuned to the quiet menace of the frenemy (think: Cat's Eye). Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484820105648-LCVM31SMXPY6KO8YO9VB/small-acts-of-disappearance+image.jpg book reviews Small Acts of Disappearance by Fiona Wright | Books+Publishing Magazine While she describes in some detail the daily grind of her disease – the careful evasion of meals, the food phobias, the hospital stints and group therapy – the work is a philosophical undertaking, and Wright confronts anorexia’s more metaphysical concerns with a poet’s precision. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1502790217580-JR0KWA89QQBRKPOKLMC7/image-asset.jpeg book reviews Wellmania: Misadventures in the Search for Wellness by Brigid Delaney | Books + Publishing Going gonzo on wellness, Delaney undertakes and entertainingly documents her own search for these goals via trends such as extreme fasting in Bondi, yoga in Sri Lanka, an enema in the Philippines and group therapy in the bush. Her search is earnest, and she's game for just about anything, but Delaney is also unflinching in her examination of the darker side of the wellness industrial complex. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484818613585-HQPY3LGVUWWK72MAO0MY/barking-dogs-9781925475494_hr.jpg book reviews Barking Dogs by Rebekah Clarkson | Books+Publishing Magazine Each story is a glimpse into the private struggles and quiet hopes of its residents, old and new. Strung together, they form a distinctly Australian allegory of urban sprawl, McMansions, and the plight of the aspirational classes mortgaged to the hilt. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484870466867-Z1Z2F4DX2UVVPOB2MGZ2/Leaving-Atocha-new-cover.jpg book reviews Leaving the Atocha Station by Ben Lerner | Open Journal Leaving the Atocha Station follows gifted American research fellow Adam Gordon in Madrid on a year-long research project, “a research-driven poem” about the “literary legacy” of the Spanish Civil War. Or so he says. Adam’s real project is at odds with this neat ambition, and he finds himself lost in a maze of existential angst – the helplessly neurotic default of an arts graduate with over-developed critical faculties and the unshakeable feeling that the artifice that he is trying to escape might just be his own. Read full review https://www.jennikauppi.com/film daily 0.75 2025-06-11 https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485077042452-K6BX3QK3YW7TMNO3DIY7/image-asset.jpeg film reviews Farewell my Queen | (France, 2012) Darwin International Film Festival | the AU review The palpable glamour and grime of the period unfolds on the precipice of revolution, with dead rats, sewers and disaffected citizens set against the opulence, finery and creamy décolletages of the royal court. But when the shocking news of the storming of the Bastille reaches the walls, deserters and traitors abound, and as heads are set to roll, the Queen’s legendary self-obsession and maddening lack of perspective comes to the fore as she frets about embroidery and jewels with an era crumbling around her. Read full review here https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484906700105-7VHK7BIYJ6S5KICD1IO6/image-asset.jpeg film reviews The Disappearance of Eleanor Rigby 'Him' and 'Her' | (USA, 2014) Melbourne International Film Festival | the AU review Having a series of films covering the same story is an inspired idea, and Benson uses this conceit to recreate scenes that differ both subtly and drastically in each telling. It speaks to the very idea of memory and perspective that two people should conceive of any given moment in such radically different ways, and makes for a very cool film device for channelling their inner worlds. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484906351177-47HGJ9EFY9PFB6N51LIM/image-asset.jpeg film reviews 10,000km | (Spain/USA, 2014) Melbourne International Film Festival | the AU review Littered with casual examples of the way that technology infiltrates our intimate relationships, the film examines the chasm between the virtual and the real with plenty of relatable examples. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484906011484-HRCKLG5N1KDQRSEV1LCY/image-asset.jpeg film reviews Palo Alto | (USA, 2013) | the AU review And while it’s mostly familiar teen-flick territory in terms of its characters, the film’s direction places a lot of responsibility in its young actors to develop these teen archetypes beyond a single-dimension – and they deliver. The full-scale awkwardness is captured in averted eyes, slighty-too-long silences and the genuine sense that part of being a teenager is playing a role, and then not knowing how or where to stop. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1496395038169-T9ARA9W9P1JMNCO1EKWA/holding+the+man+image.jpg film reviews Holding The Man | (Australia, 2015) | Melbourne International Film Festival | Broadsheet Both book and film are unflinching in the face of the grim - and at times graphic - medical realities of HIV/AIDS, a strange focus for a love story. Stott agrees “The book is a very graphic dissection of what it is to die, and the physical process of dying,” he says. “But that’s just as much a part of the story as the love is, in the same way that love is just as much a part of the suffering.” Read full interview https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485078066764-VFM3E34X4U3M3GNXJUKW/image-asset.jpeg film reviews The Flowers of War | (USA/China, 2011) Darwin International Film Festival | the AU review While Yimou is an acclaimed Chinese director, producer, screen writer and actor, Flowers is painted heavily with the Hollywood brush, employing deafening cliché and wince-worthy platitudes to make its point. Played without much depth by Bale, Miller’s abrupt and valiant about-face – from dressing as a priest for a drunken lark, to sobering up enough to impersonate one – smacks of ‘the accidental hero’ formula, and ham-fisted dialogue that wades into sluggish exposition (“I’m not a priest! I’m not a priest! I’m not!”), is a signature move for a filmmaker that doesn’t completely trust his audience. A series of spoon-fed sentimental moments, flat characters and mostly implausible plot lines are others. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484906990727-8LAW9STLYEUOF8ZOH2W5/image-asset.jpeg film reviews Coming Forth by Day | (Egypt, 2013 | Melbourne International Film Festival | the AU review Subverting ideas around patriarchy and power, the father’s post-stroke inertia dominates the lives of the two women, even while he is completely dependent on them, and they are bound by a strict sense of duty that appears to be both cultural and self-imposed. Requiring their constant attention, the two women tend painstakingly to his needs, cleaning, feeding and changing his soiled clothes, a routine of such brutal honesty as to create an unbearably visceral audience experience of sickness and stagnation. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485080026796-ZN0VS01HJ7BZWUFOIGM9/image-asset.jpeg film reviews Lore | (Australia/Germany, 2012) Darwin International Film Festival | the AU review Tense and beautiful, the drama of the film forms a restrained tableau of a German springtime in full bloom, with stunning impressionistic cinematography portraying the aftermath of war: death, lice and rape, hunger and mud. Each and every shot works in still-frame as a piece of photographic art fit for a gallery wall, and the result is a stunning fusion of beauty and death. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485078275625-H0BZZTRC37JHEM3SXQQX/image-asset.jpeg film reviews Appropriate Behaviour | (USA, 2014) Sydney International Film Festival | the AU review Played with deadpan composure by writer and feature debut director Desiree Akhavan, we meet Shirin in the last stage of her breakup with long-term girlfriend, Maxine (Rebecca Henderson). In the opening scene she is collecting her remaining belongings, exchanging final barbs and discussing the future custody of a shared strap-on dildo. The scene closes on Shirin walking down a street with said relationship artefact dangling jauntily from her hand. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485080555015-XOUFGGGCYML598YXD615/image-asset.jpeg film reviews On the Road | (USA, 2012) Darwin International Film Festival | the AU review This is the full technicolor Beat experience: the insatiable Dean Moriarty is painted in full potency – a blazing inferno of Pied Piper-like charisma, living life at full speed, full throttle and full volume. Scat-paced, burning bright and short, he's a maddeningly unreliable narcissist ready to leave his wife, his babies, his most loved companions on a selfish, hedonistic whim. https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484905163052-6QF3CDBAUXXAVHGNWUD5/image-asset.jpeg film reviews 7 Chinese Brothers | (USA, 2015) | Melbourne International Film Festival | the AU review Much of the comedy feels like off-the-cuff material from Schwartzman, the spontaneity of which would have worked in the film’s favour if it didn’t also feel like he was simply working the volume angle, throwing plenty of material at a wall and hoping at least some of it will stick; very little of it does and eventually we stop caring anyway. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485076666076-0Y8IKF80H4B0IXG15K0J/image-asset.jpeg film reviews Israel: a Home Movie | (Israel, 2012) AICE Israeli Film Festival | the AU review The footage itself is dazzling. An archival treasure of mint condition 8mm, 16mm and Super-8 film, both nostalgic and confronting; footage from the 1930s showing early Jewish arrivals, the trauma of Holocaust survivors in Israel, the absorption of Jewish immigrants through the 50s, the euphoria of the end of the ‘67 war, and a camping trip gone awry as Syria makes a surprise attack on Yom Kippur in 1973. But also, all the familiar joys of family and life: weddings, birthdays, potty training and playing in the backyard. This is footage salvaged from cellars and attics, pieced together in a rich mosaic to tell a seamless narrative of the fledgling state of Israel. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484905659275-OJFPGA0NY5WK312WH94U/image-asset.jpeg film reviews She's Beautiful When She's Angry (USA, 2015 | Melbourne International Film Festival | Australian Film Review What could have settled for being a neat little 101 primer of second wave feminist history instead confronts and teases out the complexities that the movement faced, even within itself, revealing a host of growing pains in its attempt to encompass the myriad female experience. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485075926974-O9D7TEZNGT43B2O127C7/image-asset.jpeg film reviews Diary of a Teenage Girl | (USA, 2015) Melbourne International Film Festival | the AU review Minnie is fearless, experimental and ravenous for experience in an era when sexual politics were fast and loose. She’s free loving, unguarded (to the point of recklessness, really) and insightfully precocious – think Juno, Paper Towns, Me, Earl and the Dying Girl, but way more confronting. As Minnie follows her impulses – and not just with the doomed sexual relationship with Monroe – things take a swift and dark turn. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485077478158-1UHW5974YTE4SU4GKF6P/image-asset.jpeg film reviews Your Sister's Sister | (USA, 2012) Darwin International Film Festival | the AU review While occasionally veering dangerously close to too-familiar territory, what elevates this rendering of the formula above the ho-hum, is the delightful frisson between the actors. It’s a talk-heavy film with a partly improvised feel, and the characters’ interplay – natural and dynamic, like the conversations you might be having if you were an extremely cool, funny, comfortably neurotic 20-something from Seattle – is the glue for what might have otherwise been pretty standard and plays up the characters’ flaws and anxieties to gorgeously comic effect. https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485074986283-AAIQ2MICEZO9PM3DVO36/image-asset.jpeg film reviews It Felt Like Love | (USA, 2012) Melbourne International Film Festival | the AU review As with a lot of independent cinema – and, indeed, debut features – the film is a meditation, making use of the visual experience of cinema over dialogue-driven narrative. This approach makes the film a slow burn, but in its relatively short 82 minutes, creates an incredibly moving emotional palette. It’s the rich visual minutiae that give the plot its potency Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485079204444-TKRB0GQWTYZZZNYY051G/image-asset.jpeg film reviews Beauty | (South Africa, 2012) Darwin International Film Festival | the AU review The drama of the film is caught up in its slow tempo that builds to a shocking crescendo. Lots of astoundingly banal domestic scenes with conversations between husband and wife about cleaning the pool and the family business are scattered with long mid-close ups of Francois’ face and eyes (incidentally, startling close together, like a bird of prey) observing Christian, and casual cuts to François’ secret life, its carnality depicted with bleak realism. The palpable, understated tension of each shot bubbles diabolically beneath the surface, and when the film explodes in a shocking climax, it comes with a visceral shock that is set to change everything. That it doesn’t change anything is the film’s biggest shock, revealing a truly sinister rumination on power. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485079728289-J9F3XIKUE0D4BQB8HN2L/image-asset.jpeg film reviews Once Upon a Time in Anatolia | (Turkey, 2011) Darwin International Film Festival | the AU review Shot in long, unbroken single-takes, the trance-like tension is broken with the occasional thickening of plot when subtle but shocking details of the characters’ lives are revealed, only to slip quietly away amid long, existential moments of characters staring into the middle distance. https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1484905277336-T73KGF9LX9J75CECMZ8L/stories+I+want.jpg film reviews Stories I Want to Tell You in Person | (Australia, 2015) Melbourne International Film Festival | ArtsHub It is as if by sheer sleight of hand that we suspend disbelief long enough to accept the larger than life character before us - how does an adult woman find herself in these situations? Can the ingénue shtick be real? But the device actually reveals more than it hides; entering Katz’ world casts a very particular magic over things, and she reminds us that performance and story telling are profound acts of intimacy. Read full review https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/1485076240438-EEEK74JBLVUIKWCFKGI3/image-asset.jpeg film reviews Ballad of a Weeping Spring | (Israel, 2012) AICE Israeli Film Festival | the AU review Steeped in the spell-binding music of the Middle East, known in Israel simply as, Mizrachi (Eastern), what ensues is a buddy-film, road movie, getting-the-band-back-together piece of cinema, heavy on genre borrowing from mid-century cowboy flicks, to form a genre new to Israeli cinema, nicknamed, I am so happy to report, the ‘Felafel Western’. 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A circular seal at upper right reads HSK Ward Group – Est. 1853 – Nourishing Communities for Six Generations with leaf icons. https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/0a61ce08-0692-4a08-a20c-304c683d90a9/Screenshot+2025-07-25+at+2.24.59%E2%80%AFPM.png editing portfolio - Make it stand out Image description: Kennards Hire 75th anniversary logo on a red background, reading ‘Kennard’s Hire: 75 Since 1948’ and the book title Taking Hire Higher in white capital letters. https://images.squarespace-cdn.com/content/v1/588086dae4fcb5931a3306ca/ebd31345-925d-49b8-aabf-f340ffea65e8/Screenshot+2025-06-11+at+12.45.02%E2%80%AFPM.png editing portfolio - Make it stand out Image description: Book cover titled Sip by Sip in bold white letters with a scattering of green leaveson a kraft paper background. 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